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Why Custom Framing? What is Conservation Framing? All Glass is Not Created Equal What You Should Know About Light and Your Artwork Framing Photography How to Properly Hang Your Artwork Why Custom Framing? This will tell you a bit more about the many jobs that a professional framer performs when it comes to your treasured works of art and precious memories. When you have a piece of art, a photograph or an item that you want framed, you have several options as to how to go about getting it done. With a photo, you can easily buy a ready-made photo frame at almost any store. For a poster or print, many retail stores offer standard poster frames that are available in a variety of colors and sizes to fit your décor. As an alternative, you could also visit one of the many "do-it-yourself" framing centers where, with the help of employees, you can cut your own mat and build your own frame.
With all these options available, why are you in a custom frame shop?
Although a good artistic eye is something that can't be taught, there are certain rules of custom framing which lead to good design that can. When followed, these guidelines, well known to your custom framer, produce a beautiful, well-balanced framing presentation that enhances the work of art without overpowering it. For example, did you know that the width of the mat border should never match the width of the frame? This tends to draw the eye away from the art they surround. Or that a poorly placed decorative element, such as a French line, can detract from the beauty of the finished package?
Perhaps the best reason to custom frame your personal and well-loved works of art is that a professional picture framer has the skills and materials necessary to preserve and protect them as closely as possible to their original condition. Acid- and lignin-free mat and mount boards contain no impurities which can damage the art they surround. Special UV-filtering glazing such as Tru Vue® Conservation Series® Glass featuring TruGuard® UV Protection can be used to protect art from the irreversible damage caused by light exposure.
If you were planning to build a new home for your family, would you ask the person working in the lumber department of your local home improvement store to draw up the plans? Or, if you were sick, would you ask the checkout person at your drug store to diagnose and treat your illness? Probably not. The same reasoning applies to your decision to use a custom framer's services.
Back To Top Of Page What is Conservation Framing? Specifying
Conservation Framing is an important form of insurance for your
valuable artwork, keeping it as lovely as it is today for your
enjoyment for years to come. As consumers,
we bring our valuables in to be framed for a number of different
reasons. Sometimes we
frame an item to create an attractive decoration for our home. On the
other hand, sometimes we frame the very things we value most
— whether that be commercial or sentimental value —
in order to protect them from damage. What is
Conservation Framing? Put simply,
Conservation Framing employs the use of materials that have been proven
to protect and maintain art in as close to its original condition as
possible. When should I
ask for Conservation Framing? Value is, at
best, a subjective thing. If it’s worth framing,
it’s worth protecting. Use Tru Vue’s Conservation
Quality Glass featuring TruGuard ® UV Protection
on everything you have framed. How can I be
sure that I am getting Conservation Quality? Let your
framer know that you want Conservation Framing employed on your
project. Specifically, request the following: 1. Specify
TruGuard ®
UV
Protection
Glass. Ultraviolet
light rays are one of the most dangerous elements that your artwork can
encounter. It will not only cause your colors to fade to a mere shadow
of their former glory, but will cause the materials themselves to begin
to break down right in the frame. Conservation
Quality picture framing glass is specially formulated to protect framed
works of art from the damaging effects of ultraviolet light. By
specifying Tru Vue ® Conservation
Series ®
Glass,
you are
insuring that at least 98% of these most damaging light rays are
filtered out before ever coming into contact with your valuables. 2. Specify
Conservation Quality Artboard. Ordinary
pulp-based matboard contains acids and lignins, which, over a period of
time, damage the artwork they come in contact with. When going
over your artboard options with your framer, ask him or her to show you
only conservation quality artboard. Conservation quality artboard is
free of all acids, lignins and other impurities found in ordinary
“pulp” board. The result is an inert or pH neutral
board which will cause no damage to the artwork it encases as time goes
by. 3. Request a
careful adherence to proper conservation techniques for mounting the
artwork (sometimes called “hinging”) and
sealing your artwork. The framer you
patronize should be fully versed in the specifics of conservation
hinging. Be sure to impress upon him or her how much the piece means to
you, and demand that proper conservation standards be upheld. But even if a
piece has value of a more personal nature, it may deserve Conversation
Framing. Most pieces we bring to a framer should be framed with
conservation in mind. As a rule of thumb, if the item you are framing
is an irreplaceable, one-of-a-kind photograph, document or piece of
memorabilia, or if it is an original work of art or a limited edition,
it should be framed using conservation techniques and materials.
Where do I go
to receive Conservation Framing? The framer that gave you this information did so because he or she believes in and practices Conservation Framing. It is important that you entrust your valuable framing projects only to a trained professional who cares about the conservation process, has experience and the necessary skills and techniques, and who is committed to using high quality conservation materials throughout your entire project.
Back To Top Of Page All Glass is Not Created Equal The single
most important step you can take to protect your framed artwork from
harmful UV light rays is to specify the use of Conservation Series
Glass featuring TruGuard ® UV Protection. What are you
really buying when you use the services of a custom framer? Talent
… yes, and the knowledge and ability to select the proper
framing materials for your particular project. This means helping you
choose the right colors, the right frame style, and most importantly,
the right materials to protect your art, photo or memorabilia.
There’s the matboard, the frame, the backing board and the
mounting materials to consider. And of course, the glass. And glass is
glass, right? Wrong. All glass is not created equal. In order to
preserve, protect and get the most out of your artwork, you have some
choices to make. And with a little knowledge, those choices will be
very easy. What
determines the glass I should use? Your custom
framer should help you select the right glass for your project. The
very fact that you are having this item framed denotes its value to
you. The best choice for any framed item is to use glass featuring
TruGuard ®
UV
Protection. What other
glass choices do I have? Tru Vue ® offers four
types of glass available with TruGuard ® UV Protection. All four types
block a minimum of 98% of harmful UV light rays. MUSEUM GLASS ® Anti-reflective
technology with UV blocking properties CONSERVATION
PERFECT VUE Proprietary
technology improves transmission and clarity CONSERVATION
REFLECTION CONTROL ® Single-sided
etched non-glare CONSERVATION
CLEAR ® Essential for
conservation framing Perhaps you
have a very bright room in which you will display your artwork, or you
intend to hang the piece opposite a window or lamp. Anytime you think
reflection may become a distraction from the enjoyment of your artwork,
you may want to ask for Conservation Reflection Control® Glass. Many framers
are conditioned against using reflection control glass. This is the
result of the poor quality glass that has traditionally been available.
These low-tech “non-glare” glasses have a highly
frosted appearance because they are etched on both sides. The resulting
fuzziness and distortion created dissatisfaction among many framing
customers, which soured framers on the idea of reflection control. Conservation
Reflection Control ® glass employs
etching on only one side, eliminating the reflection problem with only
a subtle softening of clarity. (This “soft focus
actually enhances some images such as portrait photography and
impressionist landscapes, where an atmospheric effort is desirable.)
Ask your
framer to see a sample of the four types of Conservation Series ® Glass over
your artwork and judge it for yourself. The most important thing to
remember when framing your artwork is to consult with your custom
framer. The more he or she knows about your project the better they are
able to use materials that will ensure your enjoyment for years to come. What is
Conservation Glass? We’ve
all heard about the dangers of ultraviolet light rays —
particularly to organic materials. Exposure to UV light causes organic
material to break down. This is visible in the form of fading colors
and embrittlement and yellowing of the materials that bear the artwork.
These effects, once started, are cumulative and irreversible. The best way
to preserve your art is to protect it from exposure to UV light from
the outset. For starters, don’t hang your art in direct
sunlight or light it with fluorescent light. Ask your framer to use
Conservation Quality Glass, such as Tru Vue ® Museum Glass ®, the highest
quality glass available. Museum Glass
effectively blocks a minimum of 98% of the dangerous UV light
— protecting your artwork without affecting the visible light
spectrum so your colors show truly as nice in a year as they do the
first day you frame them.
Back To Top Of Page What You Should Know About Light and Your Artwork The single
most important step you can take to protect your framed artwork from
harmful UV rays is to specify the use of Conservation Glass featuring
TruGuard ®
UV
Protection . The Blessing
and Danger of Light Without light
there would be no art, as light is what allows us to see and appreciate
color. It is one of the great ironies that the very thing that lets us
enjoy color also works to destroy it. Have you ever
seen a faded gum wrapper, lying in the sun, bleached to a mere fragment
of its original color? Perhaps the paper had become brittle as well
— ready to break apart at the touch of a finger. The damage
you saw was caused by the sun … specifically, the
sun’s damaging UV, or ultraviolet light rays. Ultraviolet
light rays are the same villains that your doctor warns you about. They
cause breakdown whenever they come in contact with organic materials,
burning noses, bleaching gum wrappers and ruining your son’s
first finger painting. The damaging effects of UV light on artwork are
cumulative and irreversible. UV Protection
for Your Artwork All this talk
about invisible UV light rays would seem to spell certain doom for
artwork, but thankfully that is not the case. A proprietary development
in glass technology by Tru Vue ® has resulted
in a product called TruGuard ® UV Protection,
a coating which effectively blocks out a minimum of 98% of all harmful
UV rays. The cost
premium for using Conservation Glass is minimal, and the benefits of
its use cannot be ignored. Tru Vue ® offers four
types of glass available with TruGuard ® UV Protection. All four types
block a minimum of 98% of harmful UV light rays. MUSEUM GLASS ® Anti-reflective
technology with UV blocking properties CONSERVATION
PERFECT VUE Proprietary
technology improves transmission and clarity CONSERVATION
REFLECTION CONTROL ® Single-sided
etched non-glare CONSERVATION
CLEAR ® Essential for
conservation framing Proper
Lighting Techniques
Unfortunately,
the sun is not the only source of harmful UV light rays. All light
sources, whether natural or artificial, have some of their components
in the ultraviolet range. The most drastic visual effect of exposure to
UV light is the dramatic fading of colors — especially those
colors that contain red. Other effects
include the yellowing and/or bleaching of paper fibers, sizing dyes,
brighteners and fillers. Some pigments may experience the opposite
effect and actually darken to black when exposed to UV light. The
materials that make up your artwork — the paper or fabric, on
which the image is displayed, may become brittle. Photos may appear
yellow or stained with ghostly silver deposits rising to the surface. Once damage from UV light has occurred, it can never be reversed. That’s why it is important for you to understand what you can do to prevent this type of damage in the first place. This information was provided for your assistance courtesy of Tru Vue®.
Back To Top Of Page Framing Photography Your most
precious photographic memories should be given the same treatment and
protection that a piece of fine artwork receives. Some of
life’s most precious memories are captured in the photographs
that we take: a child’s first birthday, your
parents’ 50th wedding anniversary
party, your daughter’s wedding portrait. Yet, more often than
not, we display these memories by simply placing the photo in a frame
or sticking them on the pages of a self-adhesive album. While this
treatment is appropriate for most snapshots, your truly special photos,
especially those with historical merit or those that may be
irreplaceable, deserve so much more. That’s where your custom
framer can be of assistance. Special
Characteristics of Photography The very
nature of your photographs will dictate how they must be framed. Some
photos are printed on papers which do not take well to regular
heat-activated mounting techniques. Others, especially antique photos,
are very sensitive to alkaline-based framing materials and therefore
must be mounted and matted using special non-buffered boards. All photos
should be framed using at least one mat made of conservation quality
artboard. This will ensure that the photo emulsion does not touch the
glass. If it does, temperature and humidity changes may cause it to
stick. This can potentially ruin the image. An acid-free, lignin-free,
and groundwood-free artboard will protect the image from damage that
can be caused by these impurities. Bring the
Memories to Life Photographs
can really bring back the memories and feelings of a special time. Why
not add an extra element to your memories by placing a treasured
memento in a shadowbox presentation with the photo?
These are just
a few examples that can help to enliven your still shots. Ask your
custom framer to help you find the special touch that will bring your
picture-perfect memories to life! Lacquering -
vs - Glazing Many times, a photographer will recommend that you lacquer a photo in order to protect it. This process is accomplished by applying coating directly onto the photographic image. The lacquer seals the photo against dirt, moisture, and in certain cases, ultraviolet light damage. While this does protect the photo to an extent, it also causes a permanent change to the image. In years to come, the lacquer may yellow or crack, thus ruining the photograph.
This information was provided for your assistance courtesy of Tru Vue®. Tru Vue® manufactures a complete line of Conservation Series® Glass featuring TruGuard® UV Protection that work together to protect your framed valuables. Back To Top Of Page How to Properly Hang Your Artwork Properly hung
artwork combines concern for the safety of the artwork with the
aesthetic concerns of lighting and visual balance within the room.
Protection Care should be
taken to hang artwork in an area where it will not become damaged by
heat, ultraviolet (UV) light rays or humidity.
Hang your artwork out of the line of direct sunlight. We recommend that
you always ask your framer to use Conservation Glass which will filter
out most of the harmful UV light rays. Never hang your valuable artwork
over a heat source or in an area that will be high in humidity (such
as a bathroom). Heat and humidity can cause serious damage to
your art. If
It’s Worth Framing ... Frame It To last! Lighting There are two
basic lighting techniques available for your home: ambient
“room” lighting or “spot”
lighting. Domestic lighting is often preferable for the home, because
it allows the work of art to blend in with the rest of the room.
Spotlights, on the other hand, make a piece “pop”
— a nice touch for really special pieces. Spot lighting can
be dramatic (using can lighting or light strips that affix
right to the wall or the frame itself) or subtle (using
room lamps strategically placed to give ample direct light to the piece).
When using spotlights, be careful not to create shadows by using strong
lights on a deep frame. Remember to keep your wiring as
“invisible” as possible. The Secret to
Attractive Artwork Display ... Location, Location, Location Hang your
artwork at the eye-level of the “average” person in
the room. If you are hanging the art in a room where more time is spent
seated than standing, “eye-level” should be lower.
Groupings Unless you are
striving for an eclectic “antique shop” look,
groupings should look as though they belong together. Select frame
styles that are compatible, and matting styles that will work well
together and create a balanced, unified look to the group as a whole. Spacing is an
important element in a grouping. Each picture should be placed not too
far from, nor too close to its neighbor. The most commonly recommended
way to create balance in a group is to place the entire layout on the
floor. This will allow you to get a sense of how the grouping will look
on the wall, allow for adjustments and accurate measurements. Another
tip is to align the tops or bottoms of the various pictures in the
group. Take care to use the proper hanging hardware for your type of wall and that will bear the weight of the framed piece. Plaster walls and drywall require different types of hardware. (Artwork that falls off the wall is not only a danger to itself, but to everyone that visits your home.) If you are uncertain
what type of hanging hardware you should be using, ask your framer for
advice. Tell him or her what type of walls you will be hanging the
piece on — most framers have an array of products designed
for nearly any type of hanging situation. Use two hooks to hang anything larger than 8”x10”. When determining where to put the hooks, use a carpenter’s level to ensure that the picture will hang straight. This will help distribute the picture’s weight more evenly, and your picture will hang straight without constant vigilance.
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